Issue 4.2
Summer 2024
dan raphael
Reflection
Most of my poems start with sparks. Language energy has been building up, I’m often playing with/transforming words. “Another Time” was sparked by the word gnomon—I’d seen it, probably used it, but wasn’t exactly clear. And the poem poured out from there, making associational and situational leaps. Various ways we use the word "time." Time emits. This language happens, I am pleased and puzzled. Part of my editing process is taking out the extraneous—what is language doing here, playing here (in a musical sense as well)? But the language must come through me, and I am immersed and trying to make sense of this “real” world.
Another Time
walk around me, as if I’m the gnomon in a sundial
almost vertiginous in the slow spin of flashbulbs, tangential headlights,
metallic teeth, barrel hoops repurposed as belts that metal detectors
have no authority over
we now only check passengers
when they get off the plane, with a certain percentage
sent back to their seats wherever the plane is going next
shedding skin like a snake that swallowed what it couldn’t digest
falling asleep in Arizona and waking up in Manitoba
which from space has terrible acne from lakes and open pits
of searching for a shortcut to equator or sea
too much water
and just enough heat to convince us solstice has passed
but the sun has split into 4, no 16, requiring a solar zodiac
as clock numbers are replaced with animals from different time zones
in an attempt to be universal before a couple hours go extinct
so many times to choose from—meal time, stop time, standing still
it’s not time that passes but people, with creation and “best if used by” dates
hidden, totally ignoring experience and learning, that organic chemicals
are complex and curious, some yearning for efficiency some just bored,
molecules getting lost in themselves, sometimes blinded by loneliness
so hemoglobin mistakes chlorophyll for kin, or sugar becomes ambidextrous
and can sing with either foot
we are only able to talk cause of energy and air
which are ubiquitous but hard to herd or make do tricks,
we’re trained by our bodies which are totally self-aware before we can focus our eyes
let alone speak, the vibrations of lips, the shimmer of motion
where does light go at night, how do I know that midnight is noon
on the other side of a world that has so many crenulations, alleys
and dimensional transports, we have no name for a shape that keeps changing,
neither number of sides or angular relations but a way to calm us
believing the earth is as limited as we are, counting backwards from 2
dan raphael's poetry collection In the Wordshed was published by Last Word Press in December of '22. More recent works appear in Unlikely Stories, Otoliths, Moss Piglet, Mad Swirl and Egophobia. More Wednesdays dan writes and records a current events poem for The KBOO Evening News.
dan's Book Recommendations
Two most interesting poetry books I've read recently are
Frank: Sonnets by Dianne Seuss and Maths by Joel Chace